In a Blink of an Eye

Working with models is always a little slippery. Inevitably, they’ll bring with them expectations for the outcome of a shoot that almost never coaligns with my creative desires. Most of the time, they're looking for a beautiful and flattering image, but what I'm looking to capture is something more interesting, something visually arresting. What good is a photograph if it doesn't compel the viewer to to look at it, and resists being forgotten?

For instance, occasionally I'll "accidentally" press the shutter as they're blinking–this is actually a lot harder to time than you'd think. Try doing that with another person without saying a word–it's tough.

A regular black and white portrait turns into a shifting moment of quiet delirium.